Vol. 11 No. 11 (2011): Artes Magazine no. 11

					View Vol. 11 No. 11 (2011): Artes Magazine no. 11

This volume includes works accomplished both after the publication of ARTES 9-10 (2010) and before that date, mostly in the framework of doctoral and post-doctoral studies. The fairly diverse body of themes covering a wide range of interests was grouped in three major chapters: 1) structural and stylistic analyses, 2) Stylistic and performance analyses and 3) Aesthetic and sociologic analyses. Most of the authors are based in Iaşi (University of Arts “George Enescu” or National College “Octav Băncilă”), but the contents also feature collaborators from Bucureşti (National University of Music) and Braşov (Universitatea Transilvania – Faculty of music).
Starting with this issue, the magazine will be published in a bilingual Romanian-English edition, with translations provided through the care of the article authors.
In the case of footnotes and bibliographic notes, in order to render the volume unitary, we have continued to apply – as in the previous volumes – the indications supplied by TEHNICA SCRIERII ACADEMICE (The Technique of Academic Writing, rom.) by Şerban C. Andronescu (Foundation ”România de Mâine” publishing house, Bucureşti, 1997).

Published: 2023-05-28

Articles

  • The Opera Oedipus by George Enescuand the opera-oratorio Meşterul Manole / Stonemason Manole bySigismund Toduţă – two facets of Romanian spirituality

    Professor Liliana Gherman
    DOI: https://doi.org/10.35218/
  • Expressionist tendencies in the Romanian opera in the first decades of the 20th century

    Loredana Iațeșen
    15-22
    DOI: https://doi.org/10.35218/
  • Dmitri Şostakovici – representative of the national Russian music in the 20th century The opera Lady Macbeth from Mţensk, between tradition and modernity

    Cristina Maria Bostan
    23-28
    DOI: https://doi.org/10.35218/
  • Liviu Glodeanu’s Zamolxis, at the confluence of music,mathematics and theology

    Claudia Nezelschi
    DOI: https://doi.org/10.35218/
  • Constantin Georgescu - Finding a Destiny and a Sonorous Universe

    Prof. PhD Ciprian Ion
    35-45
    DOI: https://doi.org/10.35218/
  • Syntactic and Timbral Structures in Anton Zeman’s Symphony No. 2 – “Aliaje”

    Junior lecturer PhD Anca Leahu
    47-55
    DOI: https://doi.org/10.35218/
  • The adaptation of Byzantine and post-Byzantine monody and of psaltic Christmascarols in Viorel Munteanu’s creation

    Lecturer PhD. Irina Zamfira Dănilă
    57-87
    DOI: https://doi.org/10.35218/
  • Fibonacci perennis - From W.A. Mozart to L. Bernstein

    Junior lecturer PhD. Andrei Hrubaru-Roată
    89-99
    DOI: https://doi.org/10.35218/
  • Situation related factors of music performance assessment

    Lecturer PhD. Dorina Iuşcă , Professor PhD. Viorel Munteanu
    101-112
    DOI: https://doi.org/10.35218/
  • Beethoven’s piano sonatas – editorial guidelines

    Piano teacher Andrei Enoiu-Pânzariu PhD
    113-128
    DOI: https://doi.org/10.35218/
  • Stylistic and performance aspects of piano music reflected in the reation of the composerIsaac Albéniz (1860 – 1909)

    Piano teacher PhD Raluca Pânzariu
    129-135
    DOI: https://doi.org/10.35218/
  • Dissonance op. 34 no.13 by S. Rachmaninoff. Stylistic - interpretive analysis

    Lecturer PhD Ionela Butu
    137-142
    DOI: https://doi.org/10.35218/
  • Modernism or modernity?

    Associate Professor Elena Ovănescu Pîrvu PhD
    143-151
    DOI: https://doi.org/10.35218/
  • Beneficial Subliminal Music

    Lecturer Rosina Caterina Filimon PhD
    153-164
    DOI: https://doi.org/10.35218/
  • Art and Mass Communication

    Lecturer Adrian L. Mociulschi, PhD.
    165-169
    DOI: https://doi.org/10.35218/