Liviu Glodeanu’s Zamolxis, at the confluence of music,mathematics and theology

Abstract

This study aims at presenting L Glodeanu's opera, Zamolxis, with emphasis on the interferences between his work and O. Messiaen’s universe of composition, on the mathematic notions underlying the musical structures and on the theological meanings outlined by the ethos of music, starting from the poetical and aphoristic work of Lucian Blaga.