Volum 30 Nr. 29-30 (2024): Artes. Revista de Muzicologie

Articles

• Manifestations of Stylistic Dichotomy in the Harmony of 20th Century Music: General Tendencies andSeveral Case Studies

  Baiba Jaunslaviete

  1-11

  • 10.35218/ajm-2024-0001 (Engleză)

  DOI: https://doi.org/10.35218/ajm-2024-0001

• The relationship of Iași composers with the avant-garde: Anton Zeman, Vasile Spătărelu, Sabin Pautza, Viorel Munteanu, Cristian Misievici

  Laura Otilia Vasiliu

  12-46

  • 10.35218/ajm-2024-0002 (Engleză)

  DOI: https://doi.org/10.35218/ajm-2024-0002

• Psychological typologies and musical semantics in the Iris devoilée [Iris Unveiled] concerted suite by Qigang Chen

  Luminița Duțică

  47-68

  • 10.35218/ajm-2024-0003 (Engleză)

  DOI: https://doi.org/10.35218/ajm-2024-0003

• Psychological Factors of Preference for Academic Music

  Dorina Geta Comănescu

  69-84

  • 10.35218/ajm-2024-0004 (Engleză)

  DOI: https://doi.org/10.35218/ajm-2024-0004

• Illusions of Auditory Reception and Paradoxes of Perception – Psychoacoustic EffectsGenerated by Sounds

  Rosina Caterina Filimon

  85-94

  • 10.35218/ajm-2024-0005 (Engleză)

  DOI: https://doi.org/10.35218/ajm-2024-0005

• Experimental perspectives on artificial intelligence in music composition

  Ecaterina Gîrbu

  95-99

  • 10.35218/ajm-2024-0006 (Engleză)

  DOI: https://doi.org/10.35218/ajm-2024-0006

• Report on teaching deformities in the study of the discipline of Musical Forms

  Oleg Garaz

  100-135

  • 10.35218/ajm-2024-0007 (Engleză)

  DOI: https://doi.org/10.35218/ajm-2024-0007

• Dimitrie Cantemir – Magister Musicae

  Constantin Răileanu

  136-144

  • 10.35218/ajm-2024-0008 (Engleză)

  DOI: https://doi.org/10.35218/ajm-2024-0008

• The Oriental classical music in the Romanian Principalities during the time of Dimitrie Cantemir. The tanbûr on the Romanian territory

  Eduard Rusu

  145-179

  • 10.35218/ajm-2024-0009 (Engleză)

  DOI: https://doi.org/10.35218/ajm-2024-0009

• Sabin Pautza beyond borders and time

  Alex Vasiliu

  180-199

  • 10.35218/ajm-2024-0010 (Engleză)

  DOI: https://doi.org/10.35218/ajm-2024-0010

• Sabin Pautza, 80 years of life: “We understand from music what we are”

  Cătălina Constantinovici

  200-213

  • 10.35218/ajm-2024-0011 (Engleză)

  DOI: https://doi.org/10.35218/ajm-2024-0011

• Opera Singing Models in the Second Half of the 20th Century. Leontyne Price and Maria Slătinaru-Nistor

  Loredana Iațeșen

  214-222

  • 10.35218/ajm-2024-0012 (Engleză)

  DOI: https://doi.org/10.35218/ajm-2024-0012

• Stylistic Reflections on Soprano Maria Slătinaru Nistor's Vocal Interpretation of the Lieder by Robert Schumann and Richard Wagner

  Cătălina Chelaru

  223-241

  • 10.35218/ajm-2024-0013 (Engleză)

  DOI: https://doi.org/10.35218/ajm-2024-0013

• Manuscript 110 from the “Dumitru Stăniloae” Ecumenical Library of the Metropolitan Church of Moldavia and Bukovina in Iași

  Irina Zamfira Dănilă

  242-256

  • 10.35218/ajm-2024-0014 (Engleză)

  DOI: https://doi.org/10.35218/ajm-2024-0014

• On the Sunday Axion and on The Athonite Axionar

  Adrian Sîrbu

  257-272

  • 10.35218/ajm-2024-0015 (Engleză)

  DOI: https://doi.org/10.35218/ajm-2024-0015